A mass grave is discovered in a small
mountain resort. Public prosecutors, journalists and former political
prisoners show up in droves. The press has a field day. The issue
becomes a source of daily political wrangling. Did the communists
commit the crime in the 1950s? Searching for a lead, Petrus the
archeologist plows through archives and visits the town’s oldest
citizens. Here begin the afternoons with auntie Pauline (who reads
coffee grounds and interprets dreams), the tales of Dumitru M.
(ninety years old, former industrialist and refined gourmet), the
history and histrionics of Eugenia Embury (a Lady, the widow of an
English oilman), the appearances of Paraskeva M. (mystic trances,
blue-blood caprices)—idiosyncrasies that play in relief against a
world convulsed by communism and craving justice. Stained by ties to
former and current regimes, the military prosecutors have no
credibility. Argentinean anthropologists arrive to investigate. Their
verdict: the bones in the mass grave were left by victims of the
Black Death—disappointing news in a country that has every reason
to blame communists for murder wholesale and mangled lives. Only, an
unknown hand intervenes. Rusted bullets are found among the bones.
Poetic justice prevails.